“I have been picture-gazing this morning at the famous Domenichino and Guido, both of which are superlative. I afterwards went to the beautiful cemetery of Bologna, beyond the walls; and found, besides the superb burial-ground, an original of a custode, who reminded one of the grave-digger in Hamlet (…).”
George Gordon Byron, Letters and Journals of Lord Byron with a Notice of his life, 1831
Not only the world-renowned Père Lachaise in Paris (more than 3 million visitors per year), the evocative Okunoin Cemetery in Japan (in the sacred Mount Koya), or the Woodland Cemetery in Stockholm (UNESCO World Heritage site since 1994, although built in the 20th century). Historical cemeteries represent anywhere in the world a peculiar type of urban spaces, both tangible and intangible heritage, while providing funerary services.
In 2001 a European network was created in order to raise awareness about their sometimes neglected importance: ASCE-Association of Significant Cemeteries in Europe. The network counts 179 cemeteries in 22 countries, specifically those public and private entities that care for this specific heritage. The association, born thanks to an Italian initiative, also aims to share experiences and best practices among members and to cooperate in order to protect, restore and enhance these open-air museums.
“Cemeteries as places of life, settings that, as urban spaces, are directly linked to the history and culture of the community they belong to and where we will find many of our references”. This is how the European Route of Cemeteries, promoted by ASCE and supported by the European Commission under its Europe for Citizens Programme (project “Remembrance in European Cemeteries”), refers to this heritage. The Route, comprising 63 cemeteries in 50 cities in 20 European countries, is mainly in charge of the touristic promotion of the sites, and, by raising awareness, it also stimulates dissemination activities and encourages restoration actions. Among the main results achieved by ASCE, we could also mention the establishment of the “Week of Discovering European Cemeteries (WDEC)”, whose activities in 2018 (May 18-June 3) will support the European Year of Cultural Heritage, and a mobile guide presenting members’ heritage thanks to the ARtour platform.
In Italy, we assist to an increasing attention toward the enhancement and management of historical cemeteries, as witnessed by the memorandum of understanding signed in 2016 by the Ministry of Cultural Heritage and Tourism and SEFIT-Servizi Funerari Italiani (the Italian public funerary services): “Protocollo d’intesa per la valorizzazione culturale e turistica dei cimiteri monumentali”. The memorandum also led to the elaboration of a first version of an Atlas of monumental cemeteries in Italy, published few weeks ago. On December 14, 2017, SEFIT, in partnership with Fondazione MAXXI, organized in Rome a workshop dealing with new urban and architectural challenges related to cemeteries: “I cimiteri nella città. I cimiteri come città – Una svolta culturale per la città dei morti pari a quella in atto nelle città dei vivi?”. In 2017, almost 19.000 participants attended cultural events in the four cemeteries of Bologna, Milan, Genoa and Turin.
Practices of participation and citizens engagement are an ever growing phenomenon in the enhancement of these public spaces, that have to balance the protection and development of its cultural heritage with its primary function. The role of citizens, volunteers and not for profit actors turns out to be crucial, especially to ensure the sustainability of enhancement activities, as we will see in two Italian cases: the Staglieno Cemetery in Genoa and the Certosa Cemetery in Bologna.
The cemetery of Staglieno in Genoa (330.000 mq.) was officially opened to the public in 1851. It is one of the most important historical cemeteries in Italy: hundreds of sculptures, but also chapels, galleries and porticoes, with a diversity of styles that contributes to its outstanding historical and artistic value. For the enhancement activities, the cemetery relies on the contribution of different actors, among which an important partnership with ARCI Genova, Auser Liguria e Genova, University of Genoa and CNA-Confederazione Nazionale dell’Artigianato e della Piccola e Media impresa (National Confederation of Artisans and of the Small and Medium-Sized Enterprises), that led to the creation of “La fabbrica di Staglieno”. Financed by Fondazione Telecom, the project is aimed at enhancing the restoration activity carried out within the cemetery by creating a restoration laboratory opened to the public, and combining the guided tours with practical activities and workshops, involving restorers, artisans, researchers and students. In August 2017 the Municipality launched a call for proposals to co-design the enhancement activities, through a “Patto di sussidiarietà”, a juridical instrument within the Third sector regulation allowing not for profit organisations to carry on public interest activities. In this case, the project should involve volunteers, disadvantaged or unemployed people in a variety of activities, with in kind and financial support of the Municipality.
The Certosa Cemetery in Bologna was created in 1801 from a former Chartusian monastery founded in 1334. Its architectural structure is very rich and comprises galleries, cloisters, halls, added to which are frescoes, sculptures, an Etruscan Necropolis and the San Girolamo Church. Starting from 1999, an important enhancement project has been carried out, leading to the restoration of many monuments and to guided tours, special initiatives, a summer programme of events. The entire project is managed by Museo del Risorgimento, which is part of the Municipality museums department, in partnership with the Funerary service provider “Bologna Servizi Cimiteriali”; the cultural association of touristic guides “Didasco”, in charge of the guided tours; the volunteers’ association “Amici della Certosa”, founded in 2009 and relying on more than 90 volunteers that contribute to the maintenance, conservation and enhancement activities and to the opening of the Infopoint; “Fondazione Collegio Artistico Venturoli” for the study and research activities. The summer program of events is conceived through a public call for proposals for cultural and not for profit associations, whose projects are annually evaluated and eventually selected. The Call for projects for summer 2018 has been recently opened (deadline March 11). From each entrance fee of the summer events, 2€ are allocated to the enhancement and restoration project. As regards the collaboration with volunteers, in 2016 the Municipality signed a “Patto di collaborazione” with “Amici della Certosa” association within “Collaborare è Bologna” policy and the Bologna Regulation on public collaborations between citizens and the city for the care and regeneration of urban commons. Recognising the value of both the cemetery heritage and the role played volunteers so far, aims and actions are defined for both actors with a collaborative approach.
Significant cemeteries are more and more serving as catalyst for citizens, associations and volunteers that would take care of these fascinating urban spaces, at the same time maintaining and enhancing its outstanding heritage and raising awareness about its value for the local community.
Pratiche partecipative e di coinvolgimento dei cittadini sono un fenomeno crescente nella valorizzazione dei cimiteri monumentali, particolari spazi urbani che si trovano a dover conciliare l’impegno per il proprio patrimonio culturale con l’originaria funzione funeraria.